ABOUT THE BOOK: The Braham’s Deception by Louise Marley
Music scholar Frederica Bannister is thrilled when she beats
her bitter rival, Kristian North, for the chance to be transferred back to 1861
Tuscany to observe firsthand the brilliant Johannes Brahms. Frederica will not
only get to see Brahms in his prime; she’ll also try to solve a mystery that
has baffled music experts for years.
But once in Tuscany, Frederica’s grip on reality quickly
unravels. She instantly falls under Brahms’ spell—and finds herself envious of
his secret paramour, the beautiful, celebrated concert pianist Clara Schumann.
In a single move, Frederica makes a bold and shocking decision that changes
everything…
When Frederica fails to return home, it is Kristian North
who is sent back in time to Tuscany to find her. There, Kristian discovers that
Frederica indeed holds the key to unraveling Brahms’ greatest secret. But now,
Frederica has a dark secret of her own—one that puts everyone around her in
devastating peril...
Kensington Books, Trade Paperback
ISBN: 978-0-7582-6567-8
Anna Bentley Tremaine's Guest Historical Review:
This book is first and foremost a cautionary tale about
interfering with the past. It is a story of disappointed hopes and abusing
power in an attempt to get ahead. Kristian, the hero, who's just left the ivory
tower without completing his PhD, is asked to step back in time to find out
what happened to his rival when she didn't return as scheduled. The story
centers strongly around music, but the author is careful not to overwhelm lay
readers with terminology that might prevent them from enjoying or understanding
the writing.
Unfortunately, the book did not work for me. The characters
felt constructed and cliched rather than real. The author made almost all the
"bad" people ugly, rich, and controlling while the "good"
people were beautiful, poor, and noble. I did not care for the fact that the
hero kept a very important secret for as long as he did. Most of all, I didn't
care for the idea that we could go back to witness the past as ghostly spirits
who could not be perceived by anyone around us. While one of the concerns of
the story was preservation of the established timeline, it did not once touch
on on the ethics of going back in time to watch people who could not give their
consent to being watched.
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