Above painting: Louis Jean Francois - Mars and Venus an Allegory of Peace


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Friday, June 25, 2010

Guest Blogger Nancy Lee Badger on Dragons of Scotland

Welcome back to History Undressed Nancy!  Some of you may recall Nancy's previous appearances here when she discussed Scottish proverbs, or when she gave us a little taste of Scots ale,  or perhaps you read her article on Scottish Mythology.  Today we are in for a treat by Nancy, Dragons!


By Nancy Lee Badger

Today I am talking about Dragons. These legendary creatures are typically pictured as having serpent-like or reptilian traits. Dragons are featured in the myths of cultures spanning the globe. Today, I will concentrate on the mythological dragons of Scotland. Scotland is where I base my newest novella, DRAGON’S CURSE.

From Cirein Croin, a sea serpent believed to be the largest creature ever, to the long, thick tailed wingless Beithar who haunted the quarries and mountains around Glen Coe, to the infamous Loch Ness Monster, dragons have been a part of Scottish folklore. Some say dragons are a mix of the serpent, the feline, and the predatory bird, the great predators of prehistoric times. Once man started to walk upright, he combined them into one terrifying beast, and the dragon was born.

One tale of bravery and love mentions the Rowan Tree. In the tale of Froach & the Rowan Tree, Froach swims to an island to gather berries from a magic Rowan Tree to save the life of his lover’s mother. He slips past the dragon guarding the tree then swims home only to discover he needs the entire branch. Back he goes, but the dragon awakes. Froach is wounded and swims toward home. His lover throws him a sword so he can kill the dragon and get to shore. Some say Froach dies, but the romantic in me believes the few who say he and his lover lived happily ever after. I have included the Rowan Tree in my story line in Dragon’s Curse. A Mountain Ash, in the family Rosaceae, it is native throughout the cool, temperate regions of the Northern Hemisphere. It finds a welcome home in the Scottish Highlands. With red foliage and large clumps of red berries each autumn, the Rowan is one of the most familiar wild trees of the British Isles.

Another story revolves around the most famous dragon of Scotland: the Loch Ness Monster or ‘Nessie’. Yes, Nessie is classified as a dragon even though many assume it is a leftover dinosaur or lake fish that has grown to gigantic proportions. Tales of Nessie date from the sixth century and one story goes like this: When Saint Columba traveled through the country of the Picts, he had to cross the River Ness. He came across Picts burying a man said to have been bitten by the water-monster. Not a stupid man, Columba ordered one of his men to swim across and return with a boat. The chosen man, Lugneus Mocumin swam off, but the monster saw him and charged. All on shore stood in horror except Columba, who raised his holy hand and inscribed the Cross in the air. He called upon the name of God and commanded the beast, saying, “Go no further! Do not touch the man! Go back at once!” The monster drew back, retreating to the depths of the Loch. Unharmed, Lugneus brought the boat back. Everyone was astonished. The heathen savages who witnessed the miracle were overcome and came to know the magnificence of the God of the Christians.

Nessie and Loch Ness are the most famous tourist attraction in Scotland and the locals will tell you about the mythical sea creature that some have actually seen in modern times and is probably a stranded dragon. The dragon can be seen as a symbol of the Celts, Picts and other early heathens of the area.

Where does this leave us today? Dragons have found their way into many modern books and movies. Shape shifters are a modern day paranormal storyline and several authors have used dragon lore to create stories to entertain us all. My story is slightly different. My hero has been cursed by a dead witch for a crime he did not commit. Cursed to transform into a dragon at inopportune times, Draco Macdonald decides to live out his years on the uninhabited island of Staffa. These plans go awry when Brianna Macleod arrives with a hunting party.

For more information concerning dragons and dragon lore, check your local library, book store, or these websites:



Nancy Lee Badger lives with her husband in Raleigh, NC. She loves everything Scottish and still volunteers annually, with her family, at the New Hampshire Highland Games, www.nhscot.org. She is a member of Romance Writers of America, Heart of Carolina Romance Writers, Fantasy-Futuristic & Paranormal Romance Writers, and Celtic Heart Romance Writers. DRAGON’S CURSE released today at Whispers Publishing. Visit her website: www.nancyleebadger.com, and her blog www.RescuingRomance.nancyleebadger.com For excerpts and more information.

Friday, June 18, 2010

Historical Book Review and Interview: Prima Donna by, Megan Chance

Today on History Undressed, I am excited to not only highly recommend Megan Chance’s latest release, Prima Donna, but to also share an interview I did with her about the book.

Back cover blurb…

In the glittering world of nineteenth century opera, Sabine Conrad is a beloved star feted by New York’s high society, showered with adulation from her audiences, and courted by wealthy patrons. Ensnared by a man who both loves and controls her, Sabine risks everything—including her lustrous career—to break free from her lover. But her plan backfires; by the end of the night, she is a criminal on the run from a grisly murder.

Changing her appearance and her name, she flees as far from society as she can, to the rough and gritty town of Seattle. There, hidden among the prostitutes, drunks, and miners, she must put aside the prima donna she once was and learn how to survive on her own.

Until her past returns to offer a terrifying proposition…
My Review…

I was blown away by Ms. Chance’s novel. The characters are mesmerizing, eye popping. I connected with Sabine right away. In the story, you start out in the present—and I won’t give it away, except to say it is VERY intense. From there you go back in time to several years earlier. And the entire book is written this way. Present, then back in time, then back to present. And slowly you learn more and more about Sabine, and the turmoil that has become her life. There are twists and turns you don’t envision. I had many a nail-biting moment, and had to force myself not to flip through the pages to find out what happened before I got there.

Ms. Chance did a FANTASTIC job of recreating a historical setting and historical characters. Her sensory details, scene descriptions, manner of speaking, clothing, customs, were all right on. I’d never read one of her books before, but have since added them to my TBR pile. Prima Donna is a book you don’t want to miss!

The Interview…

How did you decide you wanted to write a story about an opera singer?

Prima Donna began with an idea I had of two people torn apart by some major incident. I knew I wanted a person whose life had essentially been torn in half, so that forever there would be this division of before and after. I knew I needed a woman running away from the past, and I wanted it to be hard for her to escape it. I wanted people looking for her; I wanted her to have to be in hiding; and I wanted her to beloved—people wanted to find her. All which meant that people had to know who she was. In the 19th Century, there were very few ways for a woman to become a celebrity. Generally, she had to be an actress or an opera star. But actresses were still painted with the brush of immorality in a way that opera singers were not. Singers were beloved and feted and forgiven a great deal. So the decision to make her an opera star was based on historical necessity. And since I knew almost nothing about opera, it also meant I had to do a great deal of research.

In the acknowledgements, you mentioned that watched a lot of opera videos. How many do you think you watched and which were your favorites?

There weren’t a ton of DVDs available, so mostly I listened to operas—over and over again. I would check out a CD and listen to it solidly for three or four weeks, until I was humming the music in my head. How many did I listen to? Hmmm … I don’t know. During the writing of the book, maybe twenty or thirty? I focused on what was being performed in the 19th Century—which was easy to discover from newspaper ads, and also from the lists of performances for 19th century opera stars. So that narrowed it down. I’d say my favorites were Gounod’s Faust, which is mentioned several times in the novel, and Wagner’s Tristan und Isolde. I also really, really like Verdi’s Rigoletto and Donizetti’s Lucia di Lammermoor. Since then, I’ve listened to many more and seen some as well through the Seattle Opera and the Met’s HD live theater broadcasts, but I’ve only just begun.

Beyond watching the videos, you spent time researching at libraries and looking through archived newspapers. What sort of information did you find there that piqued your interest or made it into the book?

I love love love doing research—reading newspaper articles is particularly fascinating, because you get a real sense of what people were talking about and what they were doing for entertainment. Some of the best finds were the French Ball held by the Cercle Francais de l’Harmonie—decadent and fascinating; I had to put it in!—and the Grand Easter Charity Ball Sabine sings at. The scene at Washington Market came from a magazine article I’d found describing it in detail. And the operas Sabine was singing in were almost all those playing in New York City in those venues at that time.

Are you a singer or musician yourself? If not, how difficult was it for you to pick up the language?

Yes to both—I sang in a touring group when I was in school and a punk rock band in college, and I’ve played guitar for many years. So I can read music, and I know some of the terms, and I understood the physicality of what an opera singer needs to be able to do. But opera was really out of my purview, and I had to completely immerse myself in biographies and singing manuals and transcripts of singing classes, etc. to capture Sabine the way I wanted to.

The book was very intense and vivid, as well as being written in the first person. How did you feel when you were writing a particularly intense scene? How connected were you with your character?
As with all my books, I try to become the character as I write, to feel the same things she would feel. Many parts of the book were intense, and difficult to write. The story starts when Sabine is 16, and so I had to cast back to what that felt like, which was actually not very difficult to do, and then I had to grow with her as she grew, which was more difficult, because I had to decide what kind of a person she would become, and I stumbled over that quite a bit until I found the right path. I do have a very intense emotional connection with my characters, though they aren’t me. When I’m done with any book, it’s very hard for me to say goodbye to them.

Is there anything else you’d like to share with readers?
Only that writing Prima Donna was one of the most challenging things I’ve done. Sabine is a complex and sometimes not very likeable character, but I found her fascinating. I was interested in the idea of what might happen to a talented 16-year old who is given little guidance and left to scramble for herself in the world of professional entertainment, with all its jealousies and manipulations. How would she survive it? How would it impact who she became? It was the idea that at some point or another we all must come to terms with who and what we are, and the decisions we’ve made, that drove the book for me.

About the Author…

Megan Chance is the critically acclaimed, award-winning author of several novels. The Best Reviews has said she writes “Fascinating historical fiction.” A former television news photographer with a BA from Western Washington University, Megan Chance lives in the Pacific Northwest with her husband and two daughters. Visit Megan at http://www.meganchance.com/