Above painting: Louis Jean Francois - Mars and Venus an Allegory of Peace

Pages

***All photos accompanying posts are either owned by the author of said post or are in the public domain -- NOT the property of History Undressed. If you'd like to obtain permission to use a picture from a post, please contact the author of the post.***
Showing posts with label Mary McCall. Show all posts
Showing posts with label Mary McCall. Show all posts

Thursday, February 16, 2012

Medieval Christian Symbolism Part IV by Mary McCall

Welcome back to History Undressed, guest author, Mary McCall with Part IV of her Medieval Christian Symbolism series. To read the previous posts, click on the links: Part I, Part II, Part III.

Medieval Christian Symbolism: Part IV
by Mary McCall

Welcome to more about Christian Symbolism in history. My current work in progress involves a good deal of symbolism related to early Christian Lore and Arthurian legend. One thing I’ve had to watch is my use of symbols, because it’s so easy to get carried away. Symbols are only as effective as the knowledge of the person who beholds them, and what there meaning can change over time. For this reason, if using a symbol for historic meaning, be sure your reader has enough information to understand it’s meaning, or like Icarus, they won’t have a clew to follow.

One of my favorites: The Egg: the egg is a wonderful symbol of fertility, birth and rebirth, as an apparently lifeless object out of which comes forth life. Thus, it is a symbol of Christ's Resurrection and is seen most often at Easter. In 2006, a necropolis under the Vatican revealed an infant who'd been buried holding an egg to symbolize his parents' hope in his resurrection, because of Christ's Resurrection.

Legend has it that St. Mary Magdalen went to Rome and met with the Emperor Tiberius to tell him about the Resurrection of Jesus. She held out an egg to him as a symbol of this, and he scoffed, saying that a man could no more rise from the dead than that egg that she held could turn scarlet. The egg turned deep red in her hands, and this is the origin of Easter eggs, as well as the reason why Mary Magdalen is often portrayed holding a scarlet egg.

Another level of symbolism is that the egg represents the Creation, the elements, and the world itself, with the shell representing the firmament, the vault of the sky where the fiery stars lie; the thin membrane symbolizing air; the white symbolizing the waters; and the yolk representing earth.

Alpha-Omega: Alpha, the first letter of the Greek alphabet, and Omega, the last letter of the Greek alphabet, became a symbol for Christ due to His being called "the First and the Last." The roots of symbolizing these attributes of God go back to the Old Testament where, in Exodus 34:6, God is said to be "full of Goodness and Truth." The Hebrew spelling of the word "Truth" consists of the 3 letters "Aleph," "Mem," and "Thaw" -- and because "Aleph" and "Thaw" are the first and last letters of the Hebrew alphabet, the ancients saw mystical relevance in God's being referred to as "Truth." At any rate, the Greek Alpha and Omega as a symbol for Christ has been found in the Catacombs, Christian signet rings, post-Constantine coins, and the frescoes and mosaics of ancient churches.

IHS: dating from the 8th c., this is an abbreviation for "IHESUS," the way Christ's Name was spelled in the Middle Ages (despite popular belief, the monogram stands neither for "Iesus Hominum Salvator" --"Jesus Saviour of Men" -- nor for "In His Service.") Popularized by St. Bernardine of Siena, the monogram was later used by St. Ignatius of Loyola as a symbol for the Jesuit Order.

5-point Star: the Star of Bethlehem; the 5 Wounds of Christ. This symbol inverted, such that a single point is at the bottom and two points are at the top, is a Satanic symbol indicating a goat's head.

Triqueta: This geometrical shape is often used to express the Trinity. Comprising three interlocking arcs, the whole symbol signifies eternity while the whole triangle-like overall shape at the center represents the Trinity and its eternal intangibility.

Torch of Truth: Symbol of the Dominican Order, often shown being carried in the mouth of a little black and white dog. It originates in a dream St. Dominic's mother had when she was pregnant with the Saint: she dreamed of her child as a little black and white dog illuminating the world by carrying a torch in his mouth. Founded by St. Dominic, the Order is known as the "Order of Preachers;" the colors of its habit are white and black.

The Symbology of Numbers

1
the Undivided Oneness of God
2
the two natures of Christ; both the Divine and the material
3
the Three Persons of the Most Holy Trinity, the three Magi and their gifts
4
the Evangelists and their Gospels; the elements, humors and material world; North, South, East, and West; the four seasons
5
the Five Wounds; the senses
6
the days of creation; creation fallen; imperfection
7
covenant, oath; perfection; the day God rested (the Sabbath being the sign of the Covenant with Adam); the seven colors the rainbow (a sign of the Covenant made with Noe); the seven Sacraments (the Covenant sign made with the Church); the Gifts of the Holy Ghost; the virtues and vices
8
the visible world, made in seven days, with the invisible kingdom of grace following; regeneration
9
man's imperfection; the choirs of Angels
10
the Commandments; the Plagues of Egypt
12
the tribes of Israel; the Apostles; the signs of the Zodiac; the hours of the day and the hours of the night; the penetration of matter with spirit (3 X 4)
13
betrayal; Judas
33
the number of years of Jesus's human life
40
testing and trial; the years of the Deluge; the years of wandering in the desert in Exodus; the days Moses spent on Mt. Sinai; Christ's days in the desert
666
the number of the Beast. (Also 616 in some later manuscripts, a number rejected by St. Irenaeas as a scribal error).
1000
the milennium -- the Church Age

Until next time, happy reading and writing!
*~*~*~*~*

Mary McCall is a Golden Heart finalist, bestselling author of historical romance. She puts the fun back in historical romance! Visit Mary at http://www.marymccall.net/, or her blog at http://marymccall.wordpress.com/
Just released! HIGHLAND PROMISE

Ordered by King Alexander to wed an Englishwoman, Laird Brendan Sutherland heads to England to wed the sister of his best friend's wife. Having no use for love, he intends to beget a few heirs and forget the lass.

After being falsely accused of the Sin of Eve when she was twelve, Lady Faith of Hawkhurst hides her beauty beneath a hideous disguise, becoming a hag in public. She believes she must enter a convent and live a life of penance or suffer perpetual damnation.

Learning her brother intends to ambush an approaching Highland party, Faith intercepts Brendan and his men to ask their aid in reaching the convent. Brendan quickly sees through her disguise and agrees to take her with him. After a court scandal, King Henry orders them to wed. As they return to the Highlands with a killer on their trail, Brendan discovers he can't remain aloof from the woman destined to restore his faith in love.

Monday, March 14, 2011

Guest Author Mary McCall on Early Christian Symbolism Part III

Welcome back Mary!  If you haven't read Part I and Part II of Mary's blog series on Early Christian Symbolism, click on the links to check them out!

Early Christian Symbolism: Part III
by Mary McCall


Many apologies to all for the delay in continuing this series. Let me begin by announcing I am planning to continue the contest that was going on when life situations hindered my progress, so this is a Purple Post. On any blog post I do for the next two weeks that you respond to, leave your e-mail. I’ll be doing a drawing for a .pdf copy of Highland Treasure for each blog three days after it’s posted. In addition, I’ll save all the names and after the last of the purple posts, I’ll do a drawing for a “purple” gift box.

Visiting Italy was interesting and seeing some of these symbols on monuments, ruins, and catacombs was wonderful. At some point, I’ll have to also tell you about visiting a Venetian glass factory that still uses the same process and furnace they used in the fourth century.

But back to early Christian symbols…

The Good Shepherd: Some of the earliest depictions of Christ show Him as the Good Shepherd. This type of representation is found in the Catacombs. If you find time, I highly recommend the virtual tour of Le Catacombe di Pricilla at http://www.catacombepriscilla.com/pagine-eng/home.htm. The tour is presented in English and shows some of the most beautiful and earliest Christian symbols in remarkably wonderful preservation.

Palm: victory and martyrdom. Palms are especially made use of on Palm Sunday. The ashes of palms used on Palm Sunday are later burned and used on the next year's Ash Wednesday to symbolize mortality and penance.

Scallop shell: the sea shell, especially the scallop shell, is the symbol of Baptism, and is found frequently on Baptismal fonts. The dish used by priests to pour water over the heads of catechumens in Baptism is often scallop-shaped. The scallop, too, is a symbol for the Apostle James the Greater.

Butterfly: The beautiful butterfly, with the power of flight, emerging from the apparently lifeless cocoon: what could be a more perfect symbol of the Resurrection?

Unicorn: the unicorn -- mentioned in the Bible, by the way: see Psalm 21:22, 28:6 (Psalms 22 and 29 in the King James Bible), 92:11; and Isaias 34:7 -- is a symbol of chastity and of Christ Himself. Medieval legend had it that the unicorn, a feisty and fierce animal, could not be easily hunted, but if a virgin were to sit in the forest, the unicorn would find her and lay its head upon her lap. The hunter could then come by and take its horn, which was seen as having profound medical qualities (for ex., it was said to eliminate the harmful effects of a poisoned liquid). The picturing of a virgin and unicorn together, then, was common during the Age of Faith -- the former representing Our Lady, and the latter representing Christ, Who brought forth the "horn of salvation."

Ermine (winter weasel): the ermine was believed to have rather died than get its pure white coat dirty and, so, it came to symbolize innocence, moral purity, and the Christian's desire to die rather than commit a mortal sin. Its fur was used to adorn the clothes of clerics and royalty.

Turtledove: because of their reputation for taking only one mate to whom they are faithful for life, turtledoves are a symbol of Christian fidelity. They are also known for their love of seclusion, a fact mentioned by St. Augustine (City of God, Book 16, chapter 24).

Scarab: for our Mummy/Brendan Frasier fans, an ancient symbol of regeneration (the scarab was an especially prevalent symbol in Egypt), the scarab was adopted by Coptic Christians, too, as a symbol for the same and for the Resurrection, in particular, and for Christ Himself. Habacuc 2:11 was often translated as "For the stone shall cry out of the wall, and the beetle out of the timber shall answer it." Psalm 21:7's mention of "worm" ("But I am a worm, and no man: the reproach of men, and the outcast of the people") was often translated as "scarab," and St. Ambrose, Bishop of Milan (A.D. 340-397) referred to Christ as “The Good Scarabaeus” numerous times, with other Church Fathers, such as SS. Cyril of Alexandria, Augustine, etc.) following suit.

Alpha-Omega: Alpha, the first letter of the Greek alphabet, and Omega, the last letter of the Greek alphabet, became a symbol for Christ due to His being called "the First and the Last." The roots of symbolizing these attributes of God go back further, all the way to the Old Testament where, in Exodus 34:6, God is said to be "full of Goodness and Truth." The Hebrew spelling of the word "Truth" consists of the 3 letters "Aleph," "Mem," and "Thaw" -- and because "Aleph" and "Thaw" are the first and last letters of the Hebrew alphabet, the ancients saw mystical relevance in God's being referred to as "Truth." At any rate, the Greek Alpha and Omega as a symbol for Christ has been found in the Catacombs, Christian signet rings, post-Constantine coins, and the frescoes and mosaics of ancient churches.

5-point Star: the Star of Bethlehem; the 5 Wounds of Christ. This symbol inverted, such that a single point is at the bottom and two points are at the top, is a Satanic symbol indicating a goat's head.

Torch of Truth: Symbol of the Dominican Order, often shown being carried in the mouth of a little black and white dog. It originates in a dream St. Dominic's mother had when she was pregnant with the Saint: she dreamed of her child as a little black and white dog illuminating the world by carrying a torch in his mouth. The Dominican Order St. Dominic founded is known as the "Order of Preachers," the colors of its habit are white and black.

Rose: the Holy Faith, Our Lady, martyrdom, the secrecy of penance. Five roses grouped together symbolize the five wounds of Christ.

Owl: the owl has a double meaning, and please remember, we are looking at early meanings: 1) the perfidious Jews who, preferring darkness to light, reject Jesus, and 2) (from the Aberdeen Bestiary), "In a mystic sense, the night-owl signifies Christ. Christ loves the darkness of night because he does not want sinners - who are represented by darkness - to die but to be converted and live... The night-owl lives in the cracks in walls, as Christ wished to be born one of the Jewish people, saying: 'I am not sent but unto the lost sheep of the house of Israel'. But Christ is crushed in the cracks of the walls, because he is killed by the Jews. Christ shuns the light in the sense that he detests and hates vainglory... The night-owl flies at night in search of food, as Christ converts sinners into the body of the Church by preaching. In a moral sense, moreover, the night-owl signifies to us not just any righteous man, but rather one who lives among other men yet hides from their view as much as possible. He flees from the light, in the sense that he does not look for the glory of human praise."

We’ll continue this next time with a few more picture, then possible take a look at the symbolic meanings behind numbers, colors, and a few of the more common Latin abbreviations often seen in art and manuscripts.

Can the Highlands survive a gifted soul with a tendency toward mischief?

Leonce MacPherson became chieftain after an unknown Norman slaughtered his father and clansmen. For two years he’s raided Northumbria seeking vengeance while a dream woman promises the return of his great sword, stolen in the massacre.

After escaping an abusive father, Lady Hope Nevilles, unknowingly the Gifted MacKay of her generation, has lived with animals for friends in wild Northumbria. She longs to flee to her mother’s native Highlands and find a place away from capture and torture.

When her father steals Leonce’s son, Hope takes that as a sign to journey to the Highlands. She returns the boy and the great sword to Leonce, who recognizes her as his dream siren. When he tricks her into marriage, will she keep her vow to kill herself rather than submit to any man? Can she learn to trust as her father's sin haunt her future? When she learns the truth of her ancestry and gifted spirit from a clan enemy, will Leonce accept the news, or will distrust and jealousy doom their fragile union?

You can visit Mary at www.marymccall.net or http://marymccall.wordpress.com/





Wednesday, November 3, 2010

Guest Author Mary McCall on Christian Symbolism Part II

In September of this year, Mary McCall, a regular guest author at History Undressed, offered up her article Medieval Christian Symbolism, and today I am eager to present to you, Part II of Christian Symbolism that Mary has written for us.  As I write this, Mary is herself in the heart of Rome--at the Vatican!  Eager readers, prepare to have your minds tantalized by Mary's prose...

Early Christian Symbolism: Part II

By Mary McCall


Let me begin by announcing this is a Purple Post. Amanda Kelsey did such a beautiful job with the heather-covered field on my cover that I’ve decided to declare November Purple Month. On any blog post I do this month that you respond to, leave your e-mail. I’ll be doing a drawing for a .pdf copy of Highland Treasure for each blog three days after it’s posted. In addition, I’ll save all the names and on December 3rd, I’ll do a drawing for a gift basket. I’m not very good at doing like the Romans. There’s no getting used to the time change here and my internet time is limited, but I will get back to make replies.

The Fish: One of the most common of all early Christian symbols is the fish, representing Christ - ever-watchful with unblinking eyes. In Greek, the phrase, "Jesus Christ, Son of God Savior," is "Iesous Christos Theou Yios Soter." The first letters of each of these Greek words, when put together, spell "ichthys," the Greek word for "fish." This symbol can be seen in the Sacraments Chapel of the Catacombs of St. Callistus. Because of the story of the miracle of the loaves and fishes, the fish symbolized, too, the Eucharist.
The earliest literary reference to the fish as Christian symbol was made by Clement of Alexandria, who advised Christians to use a dove or fish as their seal. Tertullian wrote (in "De Baptismo") "But we, being little fishes, as Jesus Christ is our great Fish, begin our life in the water, and only while we abide in the water are we safe and sound." Also used as a Christian symbol was the dolphin, most often as a symbol of the Christian himself rather than Christ, though the dolphin was also used as a representation of Christ -- most often in combination with the anchor symbol ("Christ on the Cross"). During the reign of Diocletian, a common form of persecution/death for martyrs was to have an anchor wrapped around their neck and then toss them in a lake. In the catacombs, the final resting places of martyrs are marked with the method of death. It is common to see anchors, flames, axes, crosses, etc. carved into the stone.
Lamb: symbol of Christ as the Paschal Lamb and also a symbol for Christians (as Christ is our Shepherd and Peter was told to feed His sheep). The lamb is also a symbol for St. Agnes (Feast Day 21 January), virgin martyr of the early Church.

Dove: symbol of the Holy Ghost and used especially in representations of our Lord's Baptism and the Pentecost. It also symbolizes the release of the soul in death, and is used to recall Noe's dove, a harbinger of hope.

Peacock: As a symbol of immortality (even St. Augustine believed the peackock's flesh to have "antiseptic qualities" and that it didn't corrupt), the peacock became a symbol of Christ and the Resurrection. Its image embellished everything from the Catacombs to everyday objects, like lamps, especially in early Romanesque and Byzantine churches. This example is two peacocks facing on the side of an ancient tabernacle with the Chi-Rho on the lid. (The peacock, for obvious reasons, was also used as a symbol for pride, too).

Pelican: The Pelican is a symbol of the atonement and the Redeemer and is often found in Christian murals, frescos, paintings and stained glass. The pelican was believed to wound itself in order to feed its young with its own blood. In the hymn "Adoro Te," St. Thomas Aquinas addresses the Savior with, "Pelican of Mercy, cleanse me in Thy Precious Blood." Allusion is even made to this belief in "Hamlet" (act iv): "To his good friend thus wide I'll open my arms And, like the kind, life-rendering pelican, Repast them with my blood."

Phoenix: The Phoenix is a mythical creature said to build a nest when old, and set it on fire. It would then rise from the ashes in victory. Because of these myths (believed by the Egyptians, Greeks, and Orientals), the bird came to symbolize Christ.

Ship: As those outside of Noe's Ark were destroyed, the ship became a perfect early symbol of the Church with its associations with "the barque of Peter, the Fisherman." In the same vein, the main part of a church's interior, the place where the people worship, is called a "nave," from the Latin "navis" -- ship. The Ark is also a symbol of the Temple through its shape and purpose, both having three levels, etc. And as a symbol of the Temple and Church, it is a symbol of Mary, sealed off with pitch and closed up by God Himself.

Rainbow: Sign of the Covenant with Noe. Its 7 colors (from the top down: red, orange, yellow, green, blue, indigo, and violet) recall the 7 Sacraments (7 is the sign of Covenant and completion). In St. John's vision of Heaven, a rainbow makes an appearance -- over the head of the angel who gives John a book to eat (ch. 10), and surrounding the throne of God:

Apocalypse 4:2-3:

And immediately I was in the spirit: and behold there was a throne set in heaven, and upon the throne one sitting. And he that sat, was to the sight like the jasper and the sardine stone; and there was a rainbow round about the throne, in sight like unto an emerald.

We’ll look at more next time and eventually get into how some of these symbols led to development of heraldry. Until next time, happy reading and writing!

Mary

******

Can the Highlands survive a gifted soul with a tendency toward mischief?

Leonce MacPherson became chieftain after an unknown Norman slaughtered his father and clansmen. For two years he’s raided Northumbria seeking vengeance while a dream woman promises the return of his great sword, stolen in the massacre.

After escaping an abusive father, Lady Hope Nevilles, unknowingly the Gifted MacKay of her generation, has lived with animals for friends in wild Northumbria. She longs to flee to her mother’s native Highlands and find a place away from capture and torture.

When her father steals Leonce’s son, Hope takes that as a sign to journey to the Highlands. She returns the boy and the great sword to Leonce, who recognizes her as his dream siren. When he tricks her into marriage, will she keep her vow to kill herself rather than submit to any man? Can she learn to trust as her father's sin haunt her future? When she learns the truth of her ancestry and gifted spirit from a clan enemy, will Leonce accept the news, or will distrust and jealousy doom their fragile union?

You can visit Mary at www.marymccall.net or http://marymccall.wordpress.com/

Friday, September 24, 2010

Guest Author: Mary McCall, Medieval Christian Symbolism Part I

Once again, I would like to welcome the fabulous Mary McCall to History Undressed.  Today, Mary is with us to discuss the first part in a series she will be writing for our reading pleasure, Medieval Christian Symbolism.

Medieval Christian Symbolism: Part 1
I’ll begin with one that plays a major role in one of my wips.
From the time of the cavemen, symbolism has provided a means of communication among people. While it is impossible to cover every symbol used in Christianity, I will attempt to reveal the origin and meaning of some of the more prominent symbols. In this post, I’ll begin with the most widely recognized Christian symbol, the cross, and cover the most commonly seen historic forms, though this is by no means an exhaustive list. As a matter or reference, the difference between a cross and a crucifix is the presence of the corpus of Jesus on the crucifix.

"Chi-Rho" or "sigla" or “Laborum”: the letters "X" and "P," representing the first letters of the title "Christos," were put together to form this symbol for Christ ("Chi" is pronounced "Kie"). It is this form of the Cross that Emperor Constantine I saw in his vision along with the Greek words, TOUTO NIKA, which are rendered in Latin as "In hoc signo vinces" and which mean "in this sign thou shalt conquer. The Chi-Rho is the form of the cross that Constantine ordered to replace the eagle throughout the Roman Empire. My hero is the Chi and my heroine is the Rho, and they bear the marks on their arms. Thus when they become one in heart and mind, the symbols merge and they are marked as warriors for God.


"Crux commissa" or "thau" or "tau": the T-shaped cross is mentioned in the Old Testament and is seen as a foreshadowing of the Cross of Christ. Ezechiel 9:4: And the Lord said to him: Go through the midst of the city, through the midst of Jerusalem: and mark Thau upon the foreheads of the men that sigh, and mourn for all the abominations that are committed in the midst thereof.

The Thau of Ezechiel was itself presaged by the image of Moses's brazen serpent that he held up on a pole in Numbers 21: And the Lord said to him: Make brazen serpent, and set it up for a sign: whosoever being struck [by the "fiery serpents"] shall look on it, shall live. Moses therefore made a brazen serpent, and set it up for a sign: which when they that were bitten looked upon, they were healed.

Because of these verses, at least one of the ancients believed the Thau to be the form of the Cross of Jesus. Tertullian wrote, "The Greek letter and our Latin letter T are the true form of the cross, which, according to the Prophet, will be imprinted on our foreheads in the true Jerusalem." (Contra Marc., III, xxii)

If "Thau" was the true form of the Cross, the existence of the titulus crucis (the plaque that bore the inscription "Jesus of Nazareth, King of the Jews") would have made the Cross at least appear to be a "crux immissa" (see above beside the Thau), and there would have had to have been enough of the upright post over the arms on which to affix it. Nonetheless, whether the "immissa" or commissa" was the true form of the Cross, at the very least the Thau depicts the Cross of Christ symbolically, and St. Francis of Assisi took the Thau as the symbol of his Franciscan Order

"Crux immissa" or "Latin Cross": the most common form of the Cross and believed to be of the style on which Jesus died.
Byzantine Cross: used mostly by the Eastern Catholic and Eastern Orthodox Churches. The second cross-bar at top is for the INRI inscription; the bottom cross-bar is His footrest.

Slavonic Cross: used most often by Eastern Catholics and Russian Orthodox, this Cross is the Byzantine Cross with the footrest at a diagonal. This slant is said to represent one of a few things:

• the footrest wrenched loose from the Christ's writhing in intense physical suffering; lower side representing "down," the fate of sinners, while the elevated side represents Heaven;

• the lower side represents the bad thief (known to us as Gestas through the apocryphal "Acts of Pilate" ("Gospel of Nicodemus") while the elevated side to Christ's right represents the thief who would be with Him in Paradise (St. Dismas);

• the "X" shape of the slanted "footrest" against the post symbolizes the cross on which St. Andrew was crucified
Greek Cross: a very common artistic representation of the Cross. Crosses such as this one and the Tau were also popular because they were easily disguised, an important feature for persecuted Christians. (light and life)

Jerusalem Cross: also called the "Crusaders' Cross," it is made up of 5 Greek Crosses which are said to symbolize a) the 5 Wounds of Christ; and/or b) the 4 Gospels and the 4 corners of the earth (the 4 smaller crosses) and Christ Himself (the large Cross). This Cross was a common symbol used during the wars against Islamic aggression.

Maltese Cross: associated with the Knights of St. John (also known as the "Hospitallers of St. John of Jerusalem" or simply "Knights of Malta"), this Cross's 8 points are said to symbolize the 8 Beatitudes and the Beatitudes' associated obligations. The Order of St. John ran hostels and hospitals for Christian pilgrims to Jerusalem, but eventually had to fight during the wars of Islamic aggression. It is said that the Maltese Cross is a symbol within a symbol in that it is made of the initial letters of the Greek words for, "Jesus Christ, God, Son, Savior" ("Iesous Christos Theou Huios Soter"), which forms the acrostic for the word "fish." When these letters -- -- (Iota, Chi, Theta, Upsilon, Sigma) are stacked on top of each other and their "ends" closed, they form a Maltese Cross.

Baptismal Cross: consisting of the Greek Cross with the Greek letter "X", the first initial of the title "Christ," this Cross is a symbol of regeneration, hence, its association with Baptism.
Graded Cross: this Cross, also known as the "Calvary Cross," has 3 steps which represent the three Theological Virtues: Faith, Hope and Charity.
There are two examples of the Evangelists’ Cross. On the one to the left, the 4 steps at the bottom of the Cross stand for Matthew, Mark, Luke and John. Also common: The four Evangelists (Matthew, Mark, Luke and John) are depicted on this symbol as a winged man, an eagle, a winged lion and a winged ox (or calf). They are derived from the priest Ezekiel's prophecy after seeing a vision of four living creatures.. Putting aside the claims by UFOlogists that Ezekiel witnessed flying saucers, we can imagine the prophet believed he was seeing a vision of God being served by Cherubim - winged creatures ready to fly out swiftly at God's command to do His work. In particular, this involved spreading the news of salvation, also known as 'Gospel'. This cross can therefore also be called the Gospel Cross.
These four winged creatures have been associated with the four Evangelists and depicted in Christian art since the 2nd century. They have also been likened to Jesus' journey on Earth where he was born as a man, was sacrificed as a calf, was reborn as a lion in his resurrection, and soared like an eagle in his Ascension.
"Crux decussata" ("decussated cross") or "St. Andrew's Cross": called "decussated" because it looks like the Roman Numeral "10" (decussis), it is also called St. Andrew's Cross because St. Andrew was supposed to have been crucified on a cross of this shape.
Celtic Cross ("the Cross of Iona"): stone crosses in this form dot the landscapes of Ireland and Scotland and are associated with the evangelization of these lands. The circles common to these crosses represent the eternity of God.
St. Brigid's Cross: St. Brigid fashioned a Cross out of rushes as she sat near a dying chieftan's bed. He asked her about what she was doing and in explaining, she recounted the story of Christ, whereupon the chieftan converted. Catholics -- especially Irish Catholics -- fashion Crosses like these on The Feast of Saint Brigid (1 February).
Peter's Cross: because when Peter was to be martyred he chose to be crucified upside-down out of respect for Christ, the upside-down Latin Cross has become his symbol and, thereby, a symbol of the papacy. Sadly, this cross has been co-opted by Satanists whose purpose of "inverting" Christianity (e.g. as in their Black 'Masses') is expressed by taking the Latin Cross of Christ and inverting it. At various anti-Christian websites, there are pictures of the Holy Father standing in front of Peter's Cross with captions such as "The Pope worships Satan!!!!!!!" It'd be funny if it weren't so sad and ignorant.
Papal Cross: the three cross-bars represent the Latin Pope's triple role as Bishop of Rome, Patriarch of West, and successor of Peter, Chief of the Apostles.
Lorraine Cross: used by archbishops and patriarchs. Also known as a "Caravaca Cross" because of a miracle, involving a Patriarch's Cross, that took place in Caravaca, Spain.

Next time, we can look at fish, anchors, stars and other symbols. Then later we’ll take a gander at the meaning of numbers.

Until then, happy reading and writing!

~Mary

Mary McCall is a Golden Heart finalist author of historical romance.  She puts the fun back in historical romance!  Visit Mary at http://www.marymccall.net/, or her blog at http://marymccall.wordpress.com/
 
Highland Treasure, available now in print of e-book format. 
 
Can the Highlands survive a gifted soul with a tendency toward mischief?




Leonce MacPherson became chieftain after a Norman slaughtered his father and clansmen. For two years he raided Northumbria seeking vengeance while a dream woman promises the return of his great sword, stolen in the massacre.
After escaping an abusive father, Lady Hope Nevilles, unknowingly the Gifted MacKay of her generation, lived with animals for friends in wild Northumbria. She longs to flee to her mother’s native Highlands and find a place away from capture and torture.

Her father steals Leonce’s son, Hope takes that as a sign to journey to the Highlands. She returns the boy and the great sword to Leonce, who recognizes her as his dream siren. Can he trick her into marriage? She vowed to kill herself rather than submit to any man. Can she learn to trust? Will her father's sin haunt her future? Will distrust and jealousy doom their fragile union?