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Showing posts with label Amanda Forester. Show all posts
Showing posts with label Amanda Forester. Show all posts

Tuesday, June 5, 2012

Historical Romance Review: True Highland Spirit by Amanda Forester


ABOUT THE BOOK...

A HEATED RIVALRY...
Morrigan McNab is a Highland lady, robbed of her birthright and with no choice but to fight alongside her brothers to protect their impoverished clan. When she encounters Sir Jacques Dragonet, she discovers her fiercest opponent...
IS GETTING EVEN HOTTER...
Sir Jacques Dragonet will give his life to defend Scotland from the English. He can't stop himself from admiring the beautiful Highland lass who wields her weapons as skillfully as he does, and endangers his heart even more than his life...

MY REVIEW...

The book starts off right in the action, and our heroine is the one putting foot to arse. Normally when a heroine dressed up like a man, I find it to be rather cliche, but in TRUE HIGHLAND SPIRIT it fits our female Robin Hood to a T.  Normally, the woman dressed as a man is a cliche, but Ms. Forester truly makes this plot point unique again. Morrigan has so much pressure to take care of her poor and ill-reputed clan. She'll do whatever she can, including risking her life. The one thing she doesn't want to allow herself is love (even though she dreams of it!)--but her intense attraction to Dragonet thwarts her attempts to remain who she's become. I also truly enjoyed having a Scottish heroine and a French hero. Something new to the Highlander romance genre.

This story was filled with action, twists and turns, sensuality. A real page turner.

Loved it!

Wednesday, March 21, 2012

Guest Author Amanda Forester -- Fact or Fiction: French Knights in Medieval Scotland?


Today on History Undressed, I'm pleased to welcome Amanda Forester back for another fascinating post! And if you leave a comment you'll be entered for a chance to win a copy of her new release, TRUE HIGHLAND SPIRIT. (US & Canada Only)





Fact or Fiction:  French Knights in Medieval Scotland?
by Amanda Forester

One thing I enjoy about writing historical fiction is doing the research.  As a history buff, I enjoy learning new historical facts.  For example, I was surprised to learn that Scotland was almost conquered by the English in 1356.  Okay, that’s not terribly surprising since the Scots were almost conquered by the English many times throughout history, but this particular time the French were to blame. 

Let me set the stage.  In 1346, Scotland’s King David (the son of Robert the Bruce) invaded England but was defeated at the Battle of Neville’s Cross and taken prisoner by King Edward III.   Nine years later, David was still locked in the Tower of London while the two countries slowly negotiated the ransom to secure his release. 

On the eve of a settlement, France entered the picture with a tempting offer.  The French were currently at war with England (in what was later known as the Hundred Year’s War), and had no interest in seeing peace on the British Isle.  So a legion of French knights sailed off to Scotland and offered 40,000 moutons of gold if Scotland would agree to go to war with England. 

In 1355 the Scots and French invaded northern England.  Unfortunately, they underestimated England’s reserve and at the sight of 80,000 experienced English troops, the French decided it was time to go home and left the Scots to their fate.

Now the Scots were in a tight spot.  They retreated, but King Edward declared himself the King of Scotland and threatened to invade.   The Scots realized they could not survive open warfare against the English, and so relied instead on a bit of trickery.  They sent the Earl of Douglas to negotiate their surrender, and gained 10 days of a truce.  During this time, the Scots retreated back into the North, taking every scrap of food with them.  When King Edward finally marched into Scotland he found it devoid of all living inhabitants.  Unable to live off the land, Edward was forced to rely on dwindling supplies.
 
Edward was enraged at being deceived by Douglas and in vengeance marched into Scotland, burning and destroying everything in his wake.  This was later known as Burnt Candlemas.  However, Edward’s wrath was short lived, as his soldiers were nearing starvation.  The English king was forced to retreat, and the Scots made the most of harassing the hungry troops as they fled back to England.

This wonderful bit of history inspired my second and third books in my Highlander series.  In TRUE HIGHLAND SPIRIT the hero is in fact a French knight.  I’m sure readers will probably think I’ve allowed my imagination to run wild. French knights in Scotland? Preposterous!  And yet, that part of the book is actually based on fact!

TRUE HIGHLAND SPIRIT chronicles the initial attack by the French and Scots and the aftermath.  With the independence of Scotland at stake, who can save them?  My heroine of course! In my book Morrigan develops the plan to repel the English out of Scotland.  And that, my friends, is pure fiction.  This is the best part about writing historical fiction for me - using the rich historical setting to spark the imagination and create interesting characters through whose escapades I can live during fascinating times in history… all without giving up hot showers or central heating!  Happy reading! 

Do you enjoy novels that bring the history to life in the lives of the characters?  What is the right balance for you between character, plot, and history lesson?  Comment on the blog for a chance to win a copy of TRUE HIGHLAND SPIRIT.

TRUE HIGHLAND SPIRIT
Morrigan McNab learned to survive with a sword in her hand. Taking command, she is determined to protect her impoverished clan, no matter the cost. When an elusive French knight offers gold to fight against England, she joins the call to arms. Sparks fly on the battlefield as a forbidden passion smolders between Morrigan and Sir Dragonet. Yet Sir Dragonet holds a secret that will destroy the hope for a life together, and will make them rivals on a dangerous quest for a mysterious relic. As they fight beside each other against the English, and against each other to find the treasure, their love becomes a greater force than either can control.

Visit Amanda:  website, facebook, or twitter.

Tuesday, November 15, 2011

What NOT to Wear in the 14th Century by Amanda Forester

Welcome back to History Undressed, guest author, Amanda Forester. Ms. Forester last visited us in March of 2010 with her post, Color Me Medieval. I'm glad to have her back today, and with another exciting Scottish historical romance out!


What Not to Wear in the 14th Century
by Amanda Forester



One of the most interesting, or at least the most time consuming, aspects of writing historical fiction is conducting all the research.  Clothing is one of the biggest questions I need to figure out before my characters can step forth on their journey.  In my newest release, The Highlander's Heart, the heroine is an English countess.  The date is 1355.  The question: what would she wear?



In the first scene Isabelle (Countess of Tynsdale) is separated, or I should say separates herself, from her traveling companions (and the guards who are taking her back to be killed).  As I wrote the scene I had to try to picture what she might be wearing.  We're in medieval England, so obviously she will be wearing some sort of gown, but what fabric? 



Sumptuary laws can be a help.  In the 14th century, the rise of a prosperous merchant class became a bother for the nobility.  The upstart commoners were gaining as much wealth as the established aristocracy and could start dressing the part (oh, the horror).  Can you imagine the daughter of a merchant wearing a similar gown as the daughter of an earl?  Certainly not!  Sumptuary laws strictly governed what people of different classes could wear so the privilege and rank of the aristocracy could be maintained, and the prosperous bourgeoisie could be kept in their place.  In particular, women were not to wear clothing above the rank of their fathers or husbands.  Certain fabrics, such as velvet, silk, ermine, or sable fur were prohibited to "commoners".  Since my heroine is a countess, it would be likely her clothing would reflect her rank, thus I dressed her in a rich wine-colored velvet. 



But wait, I am getting ahead of myself.  What about underclothes?  Under her gown, a medieval lady would have worn a linen or silk chemise, which was a loose fitting smock-like dress.  She would have worn hose, though usually only to the knee, and leather shoes, which in the 14th century would have had a pointed toe.  These shoes were generally for castle use; if going outdoors, one would put on wooden patens to avoid getting wet feet.



Over the chemise, a lady would wear her gown called a kirtle.  In the 14th century, the previous fashion of straight seams and draped garments were giving way to curved seams and more careful tailoring.  Since Lady Isabelle is noble, I expect her clothes would have had the benefit of time and money, so likley her gown would have fit her quite well.  Since she would have had ladies to dress her, she would probably have been laced into her gown in a way not possible if you were dressing yourself.  Her sleeves would have been form fitting and long, perhaps to her knuckles.  These long sleeves would have been laced or buttoned in place.  The neckline of this era was becoming wider and lower, and may even have revealed a little cleavage. 



Over the kirtle, a medieval lady may have worn a variety of different kinds of overgowns.  Some may have had loose fitting sleeves, while others were sleeveless (called surcoats), which may have been worn loose or laced. Later in the 14th century, surcoats became shorter, ending at the waistline, and were often form fitting to reveal a small waist.  A belt was commonly worn, hanging low on the hips.  These belts, or girdles, could be quite ornate.  Sumptuary laws forbade commoners from wearing a silver girdle, so clearly the nobility were using their belts to show their rank.  These belt could be quite fine and even encrusted with jewels.



On her head a lady would wear some sort of covering.  Being married, Isabelle's veil would be more modest, possibly including a gorget, which wrapped around the chin and covered the neck.  Being a lady, she would most likely wear a veil made of silk.  Unfortunately for Isabelle, she loses her veil during her escape, and so when she meets the hero, Laird David Campbell, he assumes she is not of high social standing or moral character.  No true lady would be traveling alone with her hair flowing loose.  Thus begins the story of David and Isabelle!



I have always loved the long flowing gowns and rich colors and fabrics of medieval times.  What would you have enjoyed wearing if you were living in the 14th century?  Comment on the blog for a chance to win a copy of THE HIGHLANDER'S HEART. (US & CANADA ONLY)

THE HIGHLANDER'S HEART

Lady Isabelle escapes her murderous English husband only to be abducted by a Highland warrior and held for ransom.  Her determination to break free from captivity is exceeded only by the passion growing between her and the Highland Laird.  David Campbell plans to hold Isabelle for ransom as an easy way to line his pockets and return her back where she belongs, but he is unprepared for a feisty English lass with a penchant for finding trouble.  Caught between rival clans bent on claiming the throne of Scotland, Campbell must choose a side, and a bride.  Standing on the brink of war, Isabelle may be his only hope to save his clan, and his heart

Visit Amanda:  website, facebook, or twitter.

Friday, March 26, 2010

Guest Author: Amanda Forester, Color Me Medieval

Please join me in welcoming debut historical romance author, Amanda Forester to History Undressed today! Her novel, The Highlander's Sword released earlier this month with Sourcebooks.

Thank you for inviting me to join you today. I had great fun doing the research for my debut book The Highlander’s Sword. I have always been drawn to medieval times for its turbulent mystique, full of courageous and honorable knights. So romantic! Yet I also thought of the medieval period as being a dark and gloomy time. What I did not picture about the medieval period was a vibrancy of color. And yet as I did my research, I found that the 14th century was actually full of brilliant color.

First let’s start with clothing. While peasants were forced to be content with their own home-spun wool garments, members of the gentry and nobility were drawn to bright vivid color. The cost of procuring those hues was often prohibitive to those in the lower classes, and even if a merchant came into enough capital to afford such raiment there were explicit rules on what people of different classes could wear, down to the length of the coat and the color of the garment. Using my beautiful cover as an example, the red plaid is good, but a “real” knight of this era might have chosen a more colorful tunic than plain white (and I doubt the Scots commonly waxed their chests – though I’m willing to be wrong on this!).

Despite their armor, knights found many ways to enliven their attire with color. At first, the need was purely practical and arose from the need to identify friend from foe on the battlefield. Thus, the art of heraldry was born. Knights began to decorate their shields with charges or iconic devices that denoted their heritage. Vivid colors and ornate decorations were in fashion, and knights proudly displayed their heritage with identifying insignia. When these insignia were sewn onto surcoats or tunics the term “coat of arms” came into usage. King Richard I was the first king to create a heraldic device. His choice of three lions is still the Royal Arms of England.

Heraldic devices, flags, and pennants became an essential part of the pageantry of tournaments in which knights faced each other in staged combat. These tournaments were awash with color from elaborately decorated helms, to the draping of their horses in richly decorated comparisons, which were flowing horse coverings.

Color was not relegated to the pageantry of tournaments. People of the medieval times loved color so much they put it on everything. The grey stone castle is an iconic image for this era, but back then a grey castle would have seemed drab indeed. If the lord could afford it, many castles were actually painted! The inside was no less brilliant with colorful tapestries lining the walls in bright colors. These scenes were often to remember glorious battles or the joys of the hunt (a sport enjoyed by both knights and ladies).

The wildest example of the love for color during these times was in their food. Yes, food. Imagine pies with dyed heraldic designs on top, or an entire roast pig foiled and painted with a blue and yellow checker board design. The best was a dessert served after each course called a ‘subtlety’, which was marzipan (a paste made of sugar and almonds) richly colored and formed into shapes like people, animals, or even a model of the castle. I considered adding some color to my feast scenes in the book, but I thought readers wouldn’t believe it!

What are your mental images of medieval times?

Leave a comment for your chance to win a copy of The Highlander's Sword. (2 Winners, US and Canada only)


THE HIGHLANDER’S SWORD BY AMANDA FORESTER—IN STORES MARCH 2010

A quiet, flame-haired beauty with secrets of her own...

Lady Aila Graham is destined for the convent, until her brother's death leaves her an heiress. Soon she is caught between hastily arranged marriage with a Highland warrior, the Abbot's insistence that she take her vows, the Scottish Laird who kidnaps her, and the traitor from within who betrays them all.

She's nothing he expected and everything he really needs...

Padyn MacLaren, a battled-hardened knight, returns home to the Highlands after years of fighting the English in France. MacLaren bears the physical scars of battle, but it is the deeper wounds of betrayal that have rocked his faith. Arriving with only a band of war-weary knights, MacLaren finds his land pillaged and his clan scattered. Determined to restore his clan, he sees Aila's fortune as the answer to his problems...but maybe it's the woman herself.

ABOUT THE AUTHOR

Amanda Forester holds a PhD in psychology and worked for many years in academia before discovering that writing historical romance novels was way more fun. She lives in the Pacific Northwest outside Tacoma, Washington with her husband, two energetic children, and one lazy dog. You can visit her at http://www.amandaforester.com/.