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Showing posts with label Border Reivers. Show all posts
Showing posts with label Border Reivers. Show all posts

Thursday, February 14, 2013

Blythe Gifford – In which we create a Happy Ending (+Giveaway!)

Welcome back to History Undressed, guest author Blythe Gifford! She writes wonderful historical romance novels, and has a fascinating piece for us today! Enjoy! (Leave a comment with your email address for your chance to win!)


Blythe Gifford – In which we create a Happy Ending



On February 19, TAKEN BY THE BORDER REBEL, the final book in The Brunson Clan trilogy, hits the shelves.  And with its publication, I’ll achieve my goal in writing the series:  To give Johnnie Armstrong a happy ending.

Let me explain.

The trilogy is set on the Scottish Borders during the early Tudor era.  Constant war, along with a bleak, hilly terrain ill-suited to settled agriculture, and inheritance laws that split land into smaller and smaller parcels all combined to make it difficult to keep body and soul together. 

This was the land of the Border Reivers.  To survive, the Reivers, a term applicable to both English and Scottish families, “made a living” by stealing from one another, or, alternately, by collecting “blackmail” from those who could pay to be left alone. Whether there was a formal war or an uneasy peace, the Borders were, in effect, a war zone for 300 years. 

The “war” was only marginally between Scotland and England.  More often, it was among the various families on either side of the dividing line.  Loyal to family above king, these folks had feuds that rivaled the famous Hatfields and McCoys  They were beyond the law of either government, and usually even beyond the reach of the special Border Laws that were developed in a joint Anglo-Scots effort to bring order from the chaos.

Amidst all this brutality, however, the Borders produced songs that we still remember, thanks in large measure to Sir Walter Scott.  As A.L. Lloyd said in FOLK SONG IN ENGLAND, the Reivers “prized a poem almost as much as plunder, and produced such an impressive assembly of local narrative songs that some people used to label all our greater folk poems as 'Border ballads'."

“The Ballad of Johnnie Armstrong,” the story of an execution of a famous Border Reiver, was one of these.

Now Johnnie Armstrong, or Johnnie of Gilnocke, as he was also called, was one of the most notorious Reivers on the Borders.  Finally, King James V of Scotland rode into the land himself in a desperate attempt to restore order to the most lawless ground on the island.  (Some suggest he did it because he had something to prove to his uncle, King Henry VIII of England.)  At the top of King James’ list was Johnnie Armstrong, also called the “King of the Borders.”

Of course, history is written, or rewritten, by the storytellers.  To the king and the people he preyed on, Johnnie Armstrong might be a despicable man.  But to the songwriter who penned the “Ballad of Johnnie Armstrong,” his hero was a gallant thief, protecting Scotland from the English, and just trying to make his way in the world. 
According to the balladeer, Johnnie was not lawfully tried and convicted, but basely murdered when he was lured to a meeting with the king by a “loving letter” that insisted he come unarmed.

He did exactly that, along with forty retainers, dressed in their finest splendor to honor the king, expecting to be welcomed with open arms and royal hospitality.

Instead, he and his crew were seized by the king’s men labeled traitors, and fitted with hanging nooses.  Armstrong bargained for his life, and that of his men, with everything he could think of. 

He offered the king all manner of gifts, including “four and twenty milk white steeds” if he were spared.  His final offer was that the king should receive yearly rent, more accurately, the “blackmail” from all dwellers in the area of the Borders where Johnnie held sway, from “Gilnockie to Newcastleton.”

The king had no sympathy and was not open to a bribe. 

Facing death, Johnnie made an impassioned speech, claiming he had never harmed a Scot, but only the English.  The truth of this claim might be open to dispute.  To the local people he had preyed upon, Johnnie’s death might have been a welcome relief. 
But it is also hard to summon sympathy for the king as he is portrayed in the ballad, so deceitful that he tricks his subject into a trap.  The song also suggests the king was jealous of Johnnie’s fine clothes, another less than admirable trait, and perhaps even his title of “King of the Border.” 

Finally, as he realizes he is to die, Johnnie says (according to the ballad) “I have asked grace at a graceless face, but there is none for my men and me.”

So poor Johnnie and his men were hanged and lived no more.  Neither, legend has it, did the trees from which they swung.

Well, that didn’t seem right.  So began the story of the Brunson Clan.  Oh, my Brunsons are NOT the Armstrongs.  Indeed, finding the “real story” behind the ballad proved that the stories live longer than the truth.  So I told it my way, which mean changing virtually everything.  But finally, at the end of TAKEN BY THE BORDER REBEL, the king appears, ready to punish the Brunsons and…

Well, let’s just say no trees die at the end of the book except those that provided the paper.

So, are you a sucker for a happy ending?

A lucky reader who comments on today’s blog will be randomly selected to win a signed copy of (your choice) RETURN OF THE BORDER WARRIOR (Book 1), CAPTIVE OF THE BORDER LORD (Book 2), or TAKEN BY THE BORDER REBEL (Book 3).  US and Canadian addresses only, please.

TAKEN BY THE BORDER REBEL

Book Three of the Brunson Clan Trilogy
TORMENTED BY HER INNOCENCE

As leader of his clan, Black Rob Brunson has earned every dark syllable of his name. But, having taken hostage his enemy’s daughter in a fierce act of rebellion, he is tormented by feelings of guilt and torn apart with the growing need to protect her—and seduce her!

Stella Storwick feels Rob’s disdain from the first. Then slowly she starts to see behind his eyes to a man in turmoil. Something he has no words for, something that can only be captured in a heart-wrenching kiss....

March 2013
Harlequin HistoricalsTM
ISBN#978-0-373-29730-6

“Each story in the series becomes more powerful than the one before, as readers become invested in the characters and their struggle to remain sovereign. The historical backdrop enhances this captive/captor romance that is at once emotionally powerful, tender and exciting.”  4-Stars, RT Book Reviews
Blythe Gifford has been known for medieval romances featuring characters born on the wrong side of the royal blanket. Now, she’s launched a Harlequin Historical trilogy set on the turbulent Scottish Borders of the early Tudor era:  RETURN OF THE BORDER WARRIOR, November 2012; CAPTIVE OF THE BORDER LORD, January 2013; and TAKEN BY THE BORDER REBEL , March 2013.  The Chicago Tribune has called her work "the perfect balance between history and romance."  Visit her at www.blythegifford.com, www.facebook.com/BlytheGifford, www.twitter.com/BlytheGiffordor www.pinterest.com/BlytheGifford

Cover art and copy text © 2013 by Harlequin Enterprises Limited; Cover art & copy text used by arrangement with Harlequin Enterprises Limited; ® and are trademarks owned by Harlequin Enterprises Limited or its affiliated companies, used under license.  Author photo by Jennifer Girard.  

Tuesday, October 23, 2012

Hidden History – Women of the Border Reivers by Blythe Gifford

Welcome back to History Undressed, guest author Blythe Gifford! Today she's written a fascinating piece for us about Scotland and England. Enjoy!

Author Blythe Gifford
Photo by
 Jennifer Girard

Hidden History – Women of the Border Reivers

 by Blythe Gifford

Most of us nod wisely and cluck our tongues about the paucity of information about women in history  Unknown, unsung, unreported, it is always a challenge to discover enough about how real women lived to spin an authentic historical tale.
But I had no idea how true this was until I started writing in the era of the Border Reivers.
For those who don’t know, the Reivers (pronounced Reevers) were basically raiders on both sides of the Scottish/English border.  Loyal to family above king, these folks had feuds that rivaled the famous Hatfields and McCoys  They were beyond the law of either government, and usually even beyond the reach of the special Border Laws that were developed in a joint English-Scottish effort to bring order from the chaos.  For nearly 300 years (roughly 1300-1600), they “made a living” by stealing from others, or, alternately, by collecting “blackmail” from those who wanted to be left alone.
My new historical romance trilogy features the three siblings of a reiving family I call the Brunson clan.  I started to research the lives of women of the era, but information was so scarce about this macho society that I could barely find any information about how they dressed, though there are pictures aplenty of what the men donned to ride a raid.
The first story a researcher always finds about the women of the Borders is this:  When the larder ran low, the woman of the house would bring her man a set of spurs instead of supper.  That meant it was time for him to go “riding” again. 
The second thing I found was a prevailing opinion (from the English side of the border, to be fair) that Scottish women were “comely,” but “not distinguished by their chastity.” 
Hints, but not much to go on.
Beyond stealing sheep and cattle, there was arson and even murder aplenty on the Borders, and many women were left widowed and orphaned.  Later written histories claim that even women and children were not safe from atrocities during these raids.  Yet there’s a tension in the stories of this culture between the ones that claim Reivers honored women and preferred not to kill and the ones that label them vicious and cruel and ruthless. 

Modern litanies of the Reivers’ sins typically list rape among them.  In actual historic accounts, however, I was unable to find a specific report of one in the history.  (I am not alone in this.  The book Government, religion, and society in northern England, 1000-1700 mentions the “notable absence” of rape from the list of transgressions.)
Is this because it did not happen, or because women did not make it public?  The answer, as so much of women’s history, is hidden.  Yet there was a law passed by the Scottish Parliament in 1525 which gave the king’s officers the right to punish “particular faults and crimes that occur.”  On the list was “ravishing of women.”  A tantalizing clue.
Yet amidst the harsh reality, I discovered softness and beauty.  This was not a society that had leisure for art and culture, but the Border Ballads, rediscovered and popularized by Sir Walter Scott at the turn of the 19th century, remain hauntingly beautiful today. 

In his book FOLK SONG IN ENGLAND, A.L. Lloyd writes of the border dwellers that “they prized a poem almost as much as plunder.”  The narrative songs they created tell rip-roaring stories of war and love, like the one that begins:

My love he built me a bonny bower,
And clad it a' wi' lilye flour;
A brawer bower ye ne'er did see,
Than my true love he built for me.



Alas, the title of the ballad is “The Lament of the Border Widow,” and the final verse goes like this:

Nae living man I'll love again,
Since that my lovely knight is slain;
Wi' ae lock of his yellow hair
I'll chain my heart for evermair.



So where is a romance writer to find a happy ending?  Well, it turns out that love conquered all during the era of the Reivers, just as it always has. 
It seems that there was a law forbidding marriage across the border (upon penalty of death) unless one had special permission.  This was intended to make it easier for the kings to keep control of the population by preventing marriage/family ties that might dilute national allegiance.
Despite the best efforts, not only did such marriages occur, they were a near epidemic, to the extent that in some regions, the list of those that did NOT have cross border marriages was shorter than the list of those that did.
So in the end, I had a head full of ideas for my trilogy, confident that no matter how difficult the existence or strict the prohibition, men and women fall in love and get married.  There was all the validation I needed to write Border Reiver romance.
Cover Art used by arrangement with Harlequin
 Enterprises Limited.
All rights reserved. ®and T are trademarks of
Harlequin Enterprises Limited and/or its
affiliated companies, used under license.
Copyright 2012
What do you most wonder about the lives of women in history?  Leave a comment and one lucky person will win a copy of RETURN OF THE BORDER WARRIOR, first book in The Brunson Clan trilogy.  Here’s a brief description:

WORD IN THE ROYAL COURT HAS SPREAD THAT THE WILD SCOTTISH BORDERS ARE TOO UNRULY. UPON THE KING'S COMMAND, JOHN BRUNSON MUST RETURN HOME...

Once part of a powerful border clan, John has not set sight on the Brunson stone tower in years. With failure never an option, he must persuade his family to honour the King’s call for peace.

To succeed, John knows winning over the daughter of an allied family, Cate Gilnock, holds the key. But this intriguing beauty is beyond the powers of flattery and seduction. Instead, the painful vulnerability hidden behind her spirited eyes calls out to John as he is inexorably drawn back into the warrior Brunson clan…
Harlequin HistoricalsTM
ISBN#978-0-373-29714-6


Blythe Gifford has been known for medieval romances featuring characters born on the wrong side of the royal blanket. Now, she’s launching a trilogy set on the turbulent Scottish Borders if the early Tudor era, starting with RETURN OF THE BORDER WARRIOR a November release from the Harlequin Historical line. CAPTIVE OF THE BORDER LORD will follow in January 2013, and TAKEN BY THE BORDER REBEL in March 2013.  The Chicago Tribune has called her work "the perfect balance between history and romance." She loves to have visitors at www.blythegifford.com,"thumbs up" at www.facebook.com/BlytheGifford, "tweeps" at www.twitter.com/BlytheGifford, and followers at www.pinterest.com/BlytheGifford. You can also find her on Goodreads.