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Showing posts with label Blythe Gifford. Show all posts
Showing posts with label Blythe Gifford. Show all posts

Thursday, February 14, 2013

Blythe Gifford – In which we create a Happy Ending (+Giveaway!)

Welcome back to History Undressed, guest author Blythe Gifford! She writes wonderful historical romance novels, and has a fascinating piece for us today! Enjoy! (Leave a comment with your email address for your chance to win!)


Blythe Gifford – In which we create a Happy Ending



On February 19, TAKEN BY THE BORDER REBEL, the final book in The Brunson Clan trilogy, hits the shelves.  And with its publication, I’ll achieve my goal in writing the series:  To give Johnnie Armstrong a happy ending.

Let me explain.

The trilogy is set on the Scottish Borders during the early Tudor era.  Constant war, along with a bleak, hilly terrain ill-suited to settled agriculture, and inheritance laws that split land into smaller and smaller parcels all combined to make it difficult to keep body and soul together. 

This was the land of the Border Reivers.  To survive, the Reivers, a term applicable to both English and Scottish families, “made a living” by stealing from one another, or, alternately, by collecting “blackmail” from those who could pay to be left alone. Whether there was a formal war or an uneasy peace, the Borders were, in effect, a war zone for 300 years. 

The “war” was only marginally between Scotland and England.  More often, it was among the various families on either side of the dividing line.  Loyal to family above king, these folks had feuds that rivaled the famous Hatfields and McCoys  They were beyond the law of either government, and usually even beyond the reach of the special Border Laws that were developed in a joint Anglo-Scots effort to bring order from the chaos.

Amidst all this brutality, however, the Borders produced songs that we still remember, thanks in large measure to Sir Walter Scott.  As A.L. Lloyd said in FOLK SONG IN ENGLAND, the Reivers “prized a poem almost as much as plunder, and produced such an impressive assembly of local narrative songs that some people used to label all our greater folk poems as 'Border ballads'."

“The Ballad of Johnnie Armstrong,” the story of an execution of a famous Border Reiver, was one of these.

Now Johnnie Armstrong, or Johnnie of Gilnocke, as he was also called, was one of the most notorious Reivers on the Borders.  Finally, King James V of Scotland rode into the land himself in a desperate attempt to restore order to the most lawless ground on the island.  (Some suggest he did it because he had something to prove to his uncle, King Henry VIII of England.)  At the top of King James’ list was Johnnie Armstrong, also called the “King of the Borders.”

Of course, history is written, or rewritten, by the storytellers.  To the king and the people he preyed on, Johnnie Armstrong might be a despicable man.  But to the songwriter who penned the “Ballad of Johnnie Armstrong,” his hero was a gallant thief, protecting Scotland from the English, and just trying to make his way in the world. 
According to the balladeer, Johnnie was not lawfully tried and convicted, but basely murdered when he was lured to a meeting with the king by a “loving letter” that insisted he come unarmed.

He did exactly that, along with forty retainers, dressed in their finest splendor to honor the king, expecting to be welcomed with open arms and royal hospitality.

Instead, he and his crew were seized by the king’s men labeled traitors, and fitted with hanging nooses.  Armstrong bargained for his life, and that of his men, with everything he could think of. 

He offered the king all manner of gifts, including “four and twenty milk white steeds” if he were spared.  His final offer was that the king should receive yearly rent, more accurately, the “blackmail” from all dwellers in the area of the Borders where Johnnie held sway, from “Gilnockie to Newcastleton.”

The king had no sympathy and was not open to a bribe. 

Facing death, Johnnie made an impassioned speech, claiming he had never harmed a Scot, but only the English.  The truth of this claim might be open to dispute.  To the local people he had preyed upon, Johnnie’s death might have been a welcome relief. 
But it is also hard to summon sympathy for the king as he is portrayed in the ballad, so deceitful that he tricks his subject into a trap.  The song also suggests the king was jealous of Johnnie’s fine clothes, another less than admirable trait, and perhaps even his title of “King of the Border.” 

Finally, as he realizes he is to die, Johnnie says (according to the ballad) “I have asked grace at a graceless face, but there is none for my men and me.”

So poor Johnnie and his men were hanged and lived no more.  Neither, legend has it, did the trees from which they swung.

Well, that didn’t seem right.  So began the story of the Brunson Clan.  Oh, my Brunsons are NOT the Armstrongs.  Indeed, finding the “real story” behind the ballad proved that the stories live longer than the truth.  So I told it my way, which mean changing virtually everything.  But finally, at the end of TAKEN BY THE BORDER REBEL, the king appears, ready to punish the Brunsons and…

Well, let’s just say no trees die at the end of the book except those that provided the paper.

So, are you a sucker for a happy ending?

A lucky reader who comments on today’s blog will be randomly selected to win a signed copy of (your choice) RETURN OF THE BORDER WARRIOR (Book 1), CAPTIVE OF THE BORDER LORD (Book 2), or TAKEN BY THE BORDER REBEL (Book 3).  US and Canadian addresses only, please.

TAKEN BY THE BORDER REBEL

Book Three of the Brunson Clan Trilogy
TORMENTED BY HER INNOCENCE

As leader of his clan, Black Rob Brunson has earned every dark syllable of his name. But, having taken hostage his enemy’s daughter in a fierce act of rebellion, he is tormented by feelings of guilt and torn apart with the growing need to protect her—and seduce her!

Stella Storwick feels Rob’s disdain from the first. Then slowly she starts to see behind his eyes to a man in turmoil. Something he has no words for, something that can only be captured in a heart-wrenching kiss....

March 2013
Harlequin HistoricalsTM
ISBN#978-0-373-29730-6

“Each story in the series becomes more powerful than the one before, as readers become invested in the characters and their struggle to remain sovereign. The historical backdrop enhances this captive/captor romance that is at once emotionally powerful, tender and exciting.”  4-Stars, RT Book Reviews
Blythe Gifford has been known for medieval romances featuring characters born on the wrong side of the royal blanket. Now, she’s launched a Harlequin Historical trilogy set on the turbulent Scottish Borders of the early Tudor era:  RETURN OF THE BORDER WARRIOR, November 2012; CAPTIVE OF THE BORDER LORD, January 2013; and TAKEN BY THE BORDER REBEL , March 2013.  The Chicago Tribune has called her work "the perfect balance between history and romance."  Visit her at www.blythegifford.com, www.facebook.com/BlytheGifford, www.twitter.com/BlytheGiffordor www.pinterest.com/BlytheGifford

Cover art and copy text © 2013 by Harlequin Enterprises Limited; Cover art & copy text used by arrangement with Harlequin Enterprises Limited; ® and are trademarks owned by Harlequin Enterprises Limited or its affiliated companies, used under license.  Author photo by Jennifer Girard.  

Wednesday, January 9, 2013

Castle of the Week: Caerlaverock, Dumfries, Scotland, with Blythe Gifford

Welcome back to another fabulous castle of the week!!! This week's castle is in Scotland and presented to you by romance author, Blythe Gifford. Enjoy!



Castle of the Week:  Caerlaverock, Dumfries, Scotland, with Blythe Gifford




When I started work on CAPTIVE OF THE BORDER LORD, I knew I wanted to take my 16th century heroine away from her beloved Scottish Borders valley to “a castle by the sea.”  Lo and behold, I found the perfect one:  Caerlaverock. 

Caerlaverock, on the coast of the Solway Firth, is the only triangular castle in Britain.  Still surrounded by a moat, it is the epitome of the imposing medieval fortress, one that “feared no siege.”

Feared or not, the castle was besieged numerous times over the years, by Edward I of England, by the Scots trying to reclaim it, and after the Union of the Crown, by the Covenanters. 

The first castle on the site was probably built around 1220 but the foundation of the current castle was built around fifty years later.  The ancestral home of the Maxwell family, it was modified several times over the years, and at the time of its final battle, in 1640, it had been turned into more of a home than a military fortification.  Alas, most everything was stripped and part of the castle destroyed in the aftermath of that siege.  It survived, in ruins, for years, still owned by the Maxwell family.  Today, it is under the protection of Historic Scotland.

My challenge was to recreate for myself and the reader how the castle might have looked in the early 1500’s, before the impressive residential wing was added.  Fortunately, I had lots of help.  The floor plans are accessible online, as are many views of the castle. 

Now open to the public, the castle sits adjacent to a Caerlaverock National Nature Preserve.  The marsh which helped protect it from assault in olden times now protects swans, ducks, geese, and a myriad of other wildlife.  It is a photographer’s paradise, which meant I had lots of visual fodder for my imagination.  I think this is one of the most photographed corners of Scotland!  I could see not only the castle, but the surrounding area, which was so different for a heroine who had lived in a landlocked valley.

But in some ways, I loved the images in the old postcards best.  They took a more romantic view of the towers, hinting how they might have looked in days of yore, when my heroine came to a castle by the sea.

And here’s a bit about the story.

TO MARRY HIM WILL BE TO BETRAY HER FAMILY

Bessie, the selfless sister of the powerful but stubborn Brunson clan, has sacrificed herself for her family’s honor and is at the mercy of the court of King James. Ill-suited to court life, she must confront their mortal enemy, Lord Thomas Carwell, dressed in nothing but borrowed finery and pride.

Underneath the relentless gaze of her captor, she’s enticed not only by him but also by the opulence of a world far removed from her own. When the furious king demands her brother’s head, Carwell is the only one to whom she can turn. But she must pay the ultimate price for his protection….

January 2013
Harlequin HistoricalsTM
ISBN# 978-0-373-29722-1

Blythe Gifford has been known for medieval romances featuring characters born on the wrong side of the royal blanket. Now, she’s launched a Harlequin Historical trilogy set on the turbulent Scottish Borders of the early Tudor era:  RETURN OF THE BORDER WARRIOR, November 2012; CAPTIVE OF THE BORDER LORD, January 2013; and TAKEN BY THE BORDER REBEL , March 2013.  The Chicago Tribune has called her work "the perfect balance between history and romance."  Visit her at www.blythegifford.com, www.facebook.com/BlytheGifford, or www.twitter.com/BlytheGifford. 

Cover Copyright © 2013 by Harlequin Enterprises Limited; Cover copy text used by arrangement with Harlequin Enterprises Limited. Cover Art used by arrangement with Harlequin Enterprises Limited ® and ™ are trademarks owned by Harlequin Enterprises Limited or its affiliated companies, used under license.

Tuesday, December 18, 2012

Scandals of the Scottish Tudor Court by Blythe Gifford


Today, I'd like to welcome back guest blogger, Blythe Gifford to History Undressed! Today she's written a fascinating piece on scandals in the Scottish Tudor court! I thoroughly enjoyed this post and hope you do to! Leave a comment WITH YOUR EMAIL ADDRESS for your chance to win! 2 winners--your choice of book one, RETURN OF THE BORDER WARRIOR or book two, CAPTIVE OF THE BORDER LORD. 


Blythe Gifford – Scandals of the Scottish Tudor Court



When I started researching the Scottish court for my Brunson Clan trilogy, I didn’t even know that Henry VIII’s sister was a Queen of Scotland, nor that Henry’s nephew became King James V.

But as I delved into history, I quickly discovered that Tudor blood ran lusty on both sides of the border.  Both Queen Margaret and her son would have been right at home on a Showtime episode.  Here are some tidbits.

Queen Margaret, Henry’s older sister, divorced before Henry.  As a 25 year old widow of the Scottish King James IV, she married, for love, a decision both she and the country came to regret.  Archibald Douglas, 6th Earl of Angus, took her money, kept a mistress in one of her castles, and kidnapped her son. 

In despair, she wrote her brother that she was considering divorce.  Ironically, Henry sent her a pious and crabby note saying that marriage was “divinely ordained.”  Obviously, he was a man open minded enough to re-examine his opinions a few years later.

Without her brother’s support, Margaret succeeded in getting the Pope to release her from her marriage to Angus on the grounds that he had been pre-contracted to another woman.  It seems to have been an annulment, which is a little disingenuous since they had a daughter together, who, in an amazing sleight of hand, was legitimized by a special clause in the decree that severed her parents’ marriage.

By that time, Margaret was already living with the man who would become her third husband.  After a brief honeymoon period, Henry Stewart, Earl of Methven, proceeded to steal her money and live with a mistress and their children.  This time, her plans for divorce were squashed by her son, by now, king in his own right.

Angus, James’ stepfather and acting Regent, held the young man captive for several years and ruled in his name.  History has blamed Angus for encouraging James’ wicked ways in an attempt to prevent him from focusing on the fact that his throne was being withheld. 

It is not clear that James needed much encouragement.  He fathered at least nine children out of wedlock, three of those before he was twenty, apparently by as many mothers. 

King James had a habit of traveling incognito among the people, calling himself the "Gudeman (Goodman) of Ballengeich."  (Ballengeich, or “windy pass,” was the nickname of a road that ran by Stirling Castle.)  Though history does not report all the details of the travels he took disguised as a commoner, one wonders whether the “Gudeman” might also have fathered a child or two.

Although the identities of some of the mothers of his known bastards are lost to history, some of his mistresses were the daughters of Scottish nobles.  Their children were treated accordingly and several of them played prominent roles in Scottish history.
Five of the illegitimate sons of King James V were named “Priors” as children.  This meant they held the five richest livings in the Scottish Church—Holyrood, Kelso, Melrose, Coldingham, and St Andrews. (This did not happen, of course, without the approval of the Pope.  James apparently wrote asking his permission for three of his illegitimate sons to receive ecclesiastical positions before 1532, when the boys were still babes.  James, unlike his uncle, remained a staunch Catholic all his life.)

His first queen died soon after their marriage, but his marital record was much better than might have been expected.  Once married to his second wife, Mary of Guise, he seemed to settle down and they had three children together.

The irony of all this, is that despite fathering seven illegitimate and two legitimate sons, his only heir was a daughter:  Mary Queen of Scots. 

And so, Mary faced her father’s cousin, Queen Elizabeth of England, in a battle for the island.  After the death of both Mary and Elizabeth, Mary’s son James (the sixth of Scotland, the first of England), became king of England as well as Scotland. 

His great-grandmother on both sides(that is to say, his sole great-grandmother) was Margaret Tudor, but he kept his dynasty’s Scottish name:  the Stewarts.

CAPTIVE OF THE BORDER LORD, Book Two of The Brunson Clan, is on bookshelves today.  The e-version will be released January 1.  Here’s the description:

TO MARRY HIM WILL BE TO BETRAY HER FAMILY
Bessie, the selfless sister of the powerful but stubborn Brunson clan, has sacrificed herself for her family’s honor and is at the mercy of the court of King James. Ill-suited to court life, she must confront their mortal enemy, Lord Thomas Carwell, dressed in nothing but borrowed finery and pride.
Underneath the relentless gaze of her captor, she’s enticed not only by him but also by the opulence of a world far removed from her own. When the furious king demands her brother’s head, Carwell is the only one to whom she can turn. But she must pay the ultimate price for his protection….
January 2013
Harlequin HistoricalsTM
ISBN# 978-0-373-29722-1

A lucky reader who comments on today’s blog will be randomly selected to win a signed copy of (your choice) RETURN OF THE BORDER WARRIOR (Book 1) or CAPTIVE OF THE BORDER LORD (Book 2). 

Blythe Gifford has been known for medieval romances featuring characters born on the wrong side of the royal blanket. Now, she’s launched a Harlequin Historical trilogy set on the turbulent Scottish Borders of the early Tudor era:  RETURN OF THE BORDER WARRIOR, November 2012; CAPTIVE OF THE BORDER LORD, January 2013; and TAKEN BY THE BORDER REBEL , March 2013.  The Chicago Tribune has called her work "the perfect balance between history and romance."  Visit her at www.blythegifford.com, www.facebook.com/BlytheGifford, or www.twitter.com/BlytheGifford. 

Photo credits.  Cover used with permission.  Author photo by Jennifer Girard.  

Tuesday, October 23, 2012

Hidden History – Women of the Border Reivers by Blythe Gifford

Welcome back to History Undressed, guest author Blythe Gifford! Today she's written a fascinating piece for us about Scotland and England. Enjoy!

Author Blythe Gifford
Photo by
 Jennifer Girard

Hidden History – Women of the Border Reivers

 by Blythe Gifford

Most of us nod wisely and cluck our tongues about the paucity of information about women in history  Unknown, unsung, unreported, it is always a challenge to discover enough about how real women lived to spin an authentic historical tale.
But I had no idea how true this was until I started writing in the era of the Border Reivers.
For those who don’t know, the Reivers (pronounced Reevers) were basically raiders on both sides of the Scottish/English border.  Loyal to family above king, these folks had feuds that rivaled the famous Hatfields and McCoys  They were beyond the law of either government, and usually even beyond the reach of the special Border Laws that were developed in a joint English-Scottish effort to bring order from the chaos.  For nearly 300 years (roughly 1300-1600), they “made a living” by stealing from others, or, alternately, by collecting “blackmail” from those who wanted to be left alone.
My new historical romance trilogy features the three siblings of a reiving family I call the Brunson clan.  I started to research the lives of women of the era, but information was so scarce about this macho society that I could barely find any information about how they dressed, though there are pictures aplenty of what the men donned to ride a raid.
The first story a researcher always finds about the women of the Borders is this:  When the larder ran low, the woman of the house would bring her man a set of spurs instead of supper.  That meant it was time for him to go “riding” again. 
The second thing I found was a prevailing opinion (from the English side of the border, to be fair) that Scottish women were “comely,” but “not distinguished by their chastity.” 
Hints, but not much to go on.
Beyond stealing sheep and cattle, there was arson and even murder aplenty on the Borders, and many women were left widowed and orphaned.  Later written histories claim that even women and children were not safe from atrocities during these raids.  Yet there’s a tension in the stories of this culture between the ones that claim Reivers honored women and preferred not to kill and the ones that label them vicious and cruel and ruthless. 

Modern litanies of the Reivers’ sins typically list rape among them.  In actual historic accounts, however, I was unable to find a specific report of one in the history.  (I am not alone in this.  The book Government, religion, and society in northern England, 1000-1700 mentions the “notable absence” of rape from the list of transgressions.)
Is this because it did not happen, or because women did not make it public?  The answer, as so much of women’s history, is hidden.  Yet there was a law passed by the Scottish Parliament in 1525 which gave the king’s officers the right to punish “particular faults and crimes that occur.”  On the list was “ravishing of women.”  A tantalizing clue.
Yet amidst the harsh reality, I discovered softness and beauty.  This was not a society that had leisure for art and culture, but the Border Ballads, rediscovered and popularized by Sir Walter Scott at the turn of the 19th century, remain hauntingly beautiful today. 

In his book FOLK SONG IN ENGLAND, A.L. Lloyd writes of the border dwellers that “they prized a poem almost as much as plunder.”  The narrative songs they created tell rip-roaring stories of war and love, like the one that begins:

My love he built me a bonny bower,
And clad it a' wi' lilye flour;
A brawer bower ye ne'er did see,
Than my true love he built for me.



Alas, the title of the ballad is “The Lament of the Border Widow,” and the final verse goes like this:

Nae living man I'll love again,
Since that my lovely knight is slain;
Wi' ae lock of his yellow hair
I'll chain my heart for evermair.



So where is a romance writer to find a happy ending?  Well, it turns out that love conquered all during the era of the Reivers, just as it always has. 
It seems that there was a law forbidding marriage across the border (upon penalty of death) unless one had special permission.  This was intended to make it easier for the kings to keep control of the population by preventing marriage/family ties that might dilute national allegiance.
Despite the best efforts, not only did such marriages occur, they were a near epidemic, to the extent that in some regions, the list of those that did NOT have cross border marriages was shorter than the list of those that did.
So in the end, I had a head full of ideas for my trilogy, confident that no matter how difficult the existence or strict the prohibition, men and women fall in love and get married.  There was all the validation I needed to write Border Reiver romance.
Cover Art used by arrangement with Harlequin
 Enterprises Limited.
All rights reserved. ®and T are trademarks of
Harlequin Enterprises Limited and/or its
affiliated companies, used under license.
Copyright 2012
What do you most wonder about the lives of women in history?  Leave a comment and one lucky person will win a copy of RETURN OF THE BORDER WARRIOR, first book in The Brunson Clan trilogy.  Here’s a brief description:

WORD IN THE ROYAL COURT HAS SPREAD THAT THE WILD SCOTTISH BORDERS ARE TOO UNRULY. UPON THE KING'S COMMAND, JOHN BRUNSON MUST RETURN HOME...

Once part of a powerful border clan, John has not set sight on the Brunson stone tower in years. With failure never an option, he must persuade his family to honour the King’s call for peace.

To succeed, John knows winning over the daughter of an allied family, Cate Gilnock, holds the key. But this intriguing beauty is beyond the powers of flattery and seduction. Instead, the painful vulnerability hidden behind her spirited eyes calls out to John as he is inexorably drawn back into the warrior Brunson clan…
Harlequin HistoricalsTM
ISBN#978-0-373-29714-6


Blythe Gifford has been known for medieval romances featuring characters born on the wrong side of the royal blanket. Now, she’s launching a trilogy set on the turbulent Scottish Borders if the early Tudor era, starting with RETURN OF THE BORDER WARRIOR a November release from the Harlequin Historical line. CAPTIVE OF THE BORDER LORD will follow in January 2013, and TAKEN BY THE BORDER REBEL in March 2013.  The Chicago Tribune has called her work "the perfect balance between history and romance." She loves to have visitors at www.blythegifford.com,"thumbs up" at www.facebook.com/BlytheGifford, "tweeps" at www.twitter.com/BlytheGifford, and followers at www.pinterest.com/BlytheGifford. You can also find her on Goodreads.

Friday, May 7, 2010

Guest Author, Blythe Gifford - Behind the Plaid: Scotland and the Tartan

I am very exctied to have guest author, Blythe Gifford back with History Undressed.  She previously visited us, with her extremely intriguing article, Cross Dressing in the Middle Ages.  Today, she is gifting us with another tantalizing bit of history, Behind the Plaid:  Scotland and the Tartan.

HIS BORDER BRIDE, a May release from the Harlequin Historical line, is my first book set north of the border in Scotland. When my editor and I were first discussing the cover, she asked “Do you mind if we put plaid on the cover?”

Mind? I want to attract readers who love Scotland. Why should I object to signaling that to the reader?

Well, the answer, as my editor knew, is that I tend to be a stickler for historical accuracy. And in the 14th century Scottish Borders, tartan plaids are an anachronism.

Let me explain.

Scotland is two different countries. To most readers, “Scotland,” means the highlands. Clans and warriors. Highland hunks. My book is set in the Lowlands, so 90% of what most people know (or think they know) does not apply to my story. A Lowlander, I’ve been informed, wouldn’t be caught dead in a plaid.

But even if I had set it in the Highlands, the beautiful tartan pattern would have been out of place in my century.

There is one reference to “plaide” in the 14th century. (Believe me. I found it!) But a plaide, which means ‘blanket’ in Gaelic, was technically the cloth made into a blanket or worn over the shoulder. To quote Wikipedia: “Tartan as we know it today, is not thought to have existed in Scotland before the 16th century.” And not until the 1700’s, hundreds of years after my story, were plaids and families tightly linked. Earlier than that, weavers of a certain areas in the Highlands used consistent patterns that became associated with the area, but a Highlander might have worn many different patterns together, not one that belonged to his or her family.

Plaid fabric became a Scottish badge of honor when it was outlawed by the Dress Act of 1746. This was England’s attempt to reign in the clans by trying to obliterate their Gaelic culture. The law was finally repealed in 1782.

Ironically, though, it was an English king and a Scottish novelist who cemented the place of tartan in the Scottish pantheon. King George IV visited Edinburgh in 1822, the first reigning monarch to enter Scotland in 171 years. Sir Walter Scott, novelist and founder of the Celtic Society of Edinburgh, helped create the festivities. He urged his fellow countrymen to come "all plaided and plumed in their tartan array,” wrote Magnus Magnusson in Scotland, the Story of a Nation. The final effect, Magnusson goes on to write, was not universally admired. One contemporary writer called it "Sir Walter's Celtified Pagentry."

But the result was the invention of the Scottish tartan industry and clan tartans. In a book called Vestiarium Scoticum, published in 1842, brothers John Sobieski and Charles Allen Hay (who styled themselves as Stuarts) claimed to set out patterns found in an ancient manuscript they never produced. Other pseudo-history followed. When Queen Victoria and Prince Albert bought Balmoral Castle in the Highlands in 1848, they created their own Scots plaids, including the Balmoral, which is still used as a royal tartan today. Legend overwhelmed history. The tartan had developed a life of its own.

But I had modeled the kin of my 14th century heroine on a Border family that eventually became the Kerrs. Wanting to be cooperative while clinging to some sense of accuracy, I sent to my editor a picture of the Kerr tartan, thinking it would be ideal.

Nope. Even that idea was nixed. Why? Because, I learned, those lovely clan tartans are copyrighted and cannot be used without permission and, presumably royalties.

Somehow, I’m not sure the ancient weavers in the Highlands would have understood.

Would love to hear your comments on tartans. Love ‘em, hate ‘em, know what your families is? A copy of HIS BORDER BRIDE (complete with anachronistic, inaccurate plaid!) to a lucky commenter.

BLYTHE GIFFORD is the author of five medieval romances from Harlequin Historical. She specializes in characters born on the wrong side of the royal blanket. With HIS BORDER BRIDE, she crosses the border and sets a story in Scotland for the first time, where the rules of chivalry don’t always apply. Here’s a brief description:
Royal Rogue: He is the bastard son of an English prince and a Scotswoman. A rebel without a country, he has darkness in his soul.

Innocent Lady: Daughter of a Scottish border lord, she can recite the laws of chivalry, and knows this man has broken every one. But she’s gripped by desire for him—could he be the one to unleash the dangerous urges she’s hidden until now?

Her 2009 release, IN THE MASTER’S BED, has just finaled in the Readers Crown contest. Blythe loves to have visitors at www.blythegifford.com or www.facebook.com/BlytheGifford.

Cover Art used by arrangement with Harlequin Enterprises Limited. All rights reserved. ®and T are trademarks of Harlequin Enterprises Limited and/or its affiliated companies, used under license. Copyright 2010 ■ Author photo by Jennifer Girard